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OpenBallot: Ubuntu + Yahoo = evil?

Tuesday, 2. February 2010

As you probably already know, Firefox in Ubuntu 10.04 will use Yahoo as its default search engine because Canonical has struck a revenue-sharing deal with Yahoo. This potentially leaves us with a small dilemma: if you’re an Ubuntu user then you probably want to help support the distro at least a little, but on the flip side Microsoft Bing is the search engine behind Yahoo, which means using the default means supporting Microsoft.

So, we’re looking for your input: will you give Yahoo+Bing a try and help Ubuntu a little, or will changing to Google be the first thing you do on any 10.04 machine? Perhaps more importantly, is Canonical’s move a step away from its free software roots while also arguably providing users with inferior search results by default, or just sound business sense?

Post your comments below, make your answers clear, and please provide a name other than Anonymous Penguin otherwise we’re likely to ignore you. (NB: we’ll be releasing the first podcast of season 2 on Thursday.)

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Opinion: I don’t get HDMI

Tuesday, 2. February 2010

I read this report on BBC’s Newsbeat site with interest. Particularly the last few paragraphs, where my distant Future colleague Chris Jenkins, a man whose opinion I trust not simply because of our shared employer, explains that you do indeed need to invest in a good cable to get good results.

He argues that more expensive cables do make a difference, especially in more complex home cinema setups and over cable runs of longer than one metre.

“As you connect more and more items together, say an HD box and games console, or multi channel amplifier, you will need better and better quality cables to maintain the quality of the signal.

“£120 cable for your first purchase? No. But certainly don’t try to get away with a £1.99 cable”

Chris’ advice is to budget around 10% of a system’s price for HDMI cables.

This absurd reliance on expensive cables is a huge shame. I utterly resent paying £Stupid for a poxy cable.

Here’s my problem. HDMI was invented relatively recently. It crams a million signals into a tiny thin cable with a puny connector. This is a glaring flaw considering the ever-present threat of signal cross-talk, which anyone who’s ever waved an unshielded VGA cable near a kettle lead will know all about.

It’s as if HDMI’s inventors - blasted audiophiles, no doubt, with solid unobtainium speaker cables surrounded by signal-blocking moats, each maintained by a private cable-butler to dust off every speck of signal-reducing muck and ward off filthy interference-laden plebs - decided to produce the most awkward cable possible just to mess with us normal people. “You want it? Fine! But my stereo is more expensive than both my houses. I expect similar investment from you!”

Yes, HDMI is svelte, but why? Who cares? Was there anyone specifically asking for a small connector that would require a month’s wages to work properly? SCART is massive. It has pretty much served its purpose in its current guise but a new version, using cheap existing tech to make a new product, would have worked just fine and slid in way under HDMI’s extortionate budget.

It’s too late to moan about this, I know. And hey, my assertions are probably way off the mark. But it would be sad if we all started worrying more about our cables than the bits of kit attached to either end of them.

Color Theory For Designers, Part 2: Understanding Concepts And Terminology

Tuesday, 2. February 2010

Smashing-magazine-advertisement in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
 in Color Theory For Designers, Part 2: Understanding Concepts And Terminology  in Color Theory For Designers, Part 2: Understanding Concepts And Terminology  in Color Theory For Designers, Part 2: Understanding Concepts And Terminology

If you’re going to use color effectively in your designs, you’ll need to know some color concepts and color theory terminology. A thorough working knowledge of concepts like chroma, value and saturation is key to creating your own awesome color schemes. In Part 1: The Meaning of Color of our color theory series, we covered the meanings of different colors. Here, we’ll go over the basics of what affects a given color, such as adding gray, white or black to the pure hue, and its effect on a design, with examples of course.

[Offtopic: by the way, have you ever visited Smashing Magazine's List of tags? There might be something interesting for you.]

Hue

Hue is the most basic of color terms and basically denotes an object’s color. When we say “blue,” “green” or “red,” we’re talking about hue. The hues you use in your designs convey important messages to your website’s visitors. Read part 1 of this article for the meanings conveyed by various hues.

Examples

Happytwitmas in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
The primary hue of the background and some of the typography on the Happy Twitmas website is bright red.

Chapolito in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Using a lot of pure hues together can add a fun and playful look to a design, as done in the header and elsewhere on this website.

Estilorama in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Pure red is a very popular hue in Web design.

Mix in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Mix uses a number of pure hues in its header and logo.

Steveottenad in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Green in its purer forms is seen less often and so stands out more than some other colors.

Chroma

Chroma refers to the purity of a color. A hue with high chroma has no black, white or gray in it. Adding white, black or gray reduces its chroma. It’s similar to saturation but not quite the same. Chroma can be thought of as the brightness of a color in comparison to white.

In design, avoid using hues that have a very similar chroma. Opt instead for hues with chromas that are the same or a few steps away from each other.

Examples

Moviestills in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Cyan has a high chroma and so really stands out against black and white.

Canalconnection in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Another website with a high chroma blue, though it includes some tints and shades with somewhat lower chromas.

Philippdoms in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Combining high and low saturation in the same hue can make for a sophisticated and elegant design.

Fruehjahr in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Colors with very high chroma are best used in moderation, as done here.

Panelfly in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Differences in chroma can make for a visually pleasing gradient.

Saturation

Saturation refers to how a hue appears under particular lighting conditions. Think of saturation in terms of weak vs. strong or pale vs. pure hues.

In design, colors with similar saturation levels make for more cohesive-looking designs. As with chroma, colors with similar but not identical saturations can have a jarring effect on visitors.

Examples

Sifrvault in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
The saturation levels of many of the different hues used here are similar, adding a sense of unity to the overall design.

Rainbeaumars in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Combining colors with similar muted saturation levels creates a soft design, which is emphasized by the watercolor effects.

Disfrutasanjuan in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Hues with lower saturation levels aren’t necessarily lighter, as shown here.

Craftsale in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
An excellent example of how using a hue with a high saturation against a background with low saturation can make the former really stand out.

Sunrisesoya in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Aother example of how low saturation colors make nearby high saturation colors really stand out.

Value

Value could also be called “lightness.” It refers to how light or dark a color is. Ligher colors have higher values. For example, orange has a higher value than navy blue or dark purple. Black has the lowest value of any hue, and white the highest.

When applying color values to your designs, favor colors with different values, especially ones with high chroma. High contrast values generally result in more aesthetically pleasing designs.

Examples

Creativespark in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
The high value of the yellow used here really stands out against the lower-value black and gray.

Oysterdesign in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
This website combines blue hues with two different values. Because the different values have enough contrast, the overall look is visually appealing.

Copimaj in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Combining colors with similar values makes for an energetic and lively background (which is enhanced by the design itself).

Whoseview in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
The red here has a lower value than the light blue, which itself has a lower value than the white.

Colourpixel in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
The human eye can pick up differences in value even among such similar hues.

Tones

Tones are created when gray is added to a hue. Tones are generally duller or softer-looking than pure hues.

Tones are sometimes easier to use in designs. Tones with more gray can lend a certain vintage feel to websites. Depending on the hues, they can also add a sophisticated or elegant look.

Examples

Lakesideheritage in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Tones can give websites a sophisticated look while adding some vintage and antique flair.

Brightkite in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
This website combines blues in a variety of tones, shades and tints.

Mmuller in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Tones can be intensified by adding gray around them, as done here.

Redvelvetart in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
The tones used in the navigation and background design here give this website a vintage, hand-made feel.

Mergeweb in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
A great example of how a pure hue can really stand out against a background of tones.

Metalab in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Some colors that we might consider gray are actually tones of other colors. In this case, the background is a blue tone but with a lot of gray added.

Shades

A shade is created when black is added to a hue, making it darker. The word is often incorrectly used to describe tint or tone, but shade only applies to hues made darker by the addition of black.

In design, very dark shades are sometimes used instead of black and can serve as neutrals. Combining shades with tints is best to avoid too dark and heavy a look.

Examples

Jonathanmoore in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Jonathan Moore’s website has a variety of different shades of purple in the background (and a couple of tints in other parts).

Vuumedia in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Using different shades together works well, as long as sufficient contrast between them is maintained.

Alilot in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
An effective combination of shades and tints, particularly in the header.

Skipvine in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Another background design that has shades (and a few tints) in a textured gradient.

Stuffandnonsense in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Combining shades within textures adds interest to this website.

Tints

A tint is formed when white is added to a hue, lightening it. Very light tints are sometimes called pastels, but any pure hue with white added to it is a tint.

Tints are often used to create feminine or lighter designs. Pastel tints are especially used to make designs more feminine. They also work well in vintage designs and are popular on websites targeted at parents of babies and toddlers.

Examples

Caiocardoso in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Caio Cardoso’s website has a variety of green tints in the background and in other elements.

Fernandosilanes1 in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
The blue tint on Fernando Silanes’s website creates a soft and sophisticated look.

Duboutdesyeux in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Blue tints are popular for sky and nature motifs.

Smallwhitebear in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Tints are also popular in watercolor-based designs.

Iamgarth in Color Theory For Designers, Part 2: Understanding Concepts And Terminology
Tints combined together make for a sophisticated gradient.

Conclusion

While you don’t necessarily have to remember all of these technical terms, you should be familiar with the actual concepts, especially if you want to master part 3 of this series (in which we create our own color schemes). To that end, here’s a cheat sheet to jog your memory:

  • Hue is color (blue, green, red, etc.).
  • Chroma is the purity of a color (a high chroma has no added black, white or gray).
  • Saturation refers to how strong or weak a color is (high saturation being strong).
  • Value refers to how light or dark a color is (light having a high value).
  • Tones are created by adding gray to a color, making it duller than the original.
  • Shades are created by adding black to a color, making it darker than the original.
  • Tints are created by adding white to a color, making it lighter than the original.

Further Resources

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© Cameron Chapman for Smashing Magazine, 2010. | Permalink | 40 comments | Add to del.icio.us | Digg this | Stumble on StumbleUpon! | Tweet it! | Submit to Reddit | Forum Smashing Magazine
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Build a Linux distro via the net

Tuesday, 2. February 2010

Building your own Linux distribution sounds like a hair-raising experience, and it would be if you had to compile every source file from scratch with no guidance. Thankfully, though, the OpenSUSE folks have made it much simpler with their SUSE Studio build service, as our friends at PC Plus explain. With just a few mouse clicks you can generate your own custom version of OpenSUSE - and even test it inside a web browser! Good going.

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How To Configure ISA Proxy/Auth Setting For Yum

Tuesday, 2. February 2010

How To Configure ISA Proxy/Auth Setting For Yum

I was running CentOS in my LAN for my personal use and there are MS
ISA servers for proxying and each user has to use his/her user name
& password for Internet. So when I used my credentials in my web
browser I had no problem but when I was going to do yum no success.
After some googling I found this solution.